The final curtain has fallen on the groundbreaking makeover series “Queer Eye,” leaving its stars, particularly style expert Tan France, in a reflective and emotional state. France recently shared that filming the concluding episode was a profoundly moving experience, marking the end of a significant chapter.
“I’ve only cried a couple of times in my life, and never like this,” France revealed. “But on our last night of filming, I cried uncontrollably for nearly an hour. It was more than any of my castmates.” The show’s tenth and final season, shot in Washington, D.C., presented unique challenges and stories that resonated deeply with the team.
France described the nation’s capital as a demanding and transient city, noting that its cyclical nature every four years creates a distinct environment. “Working with people whose lives are in flux was fascinating,” he explained. “We aimed to offer them a reset. This season feels very different from our past work—truly special—and I believe it will leave a lasting, positive impression on viewers.”
While a premiere date is simply noted as “soon,” France emphasized that the heart of the season, as always, lies with the participants. “The heroes are the stars. Their compelling stories are the reason people return to the show. Given everything happening in D.C. recently, these narratives feel incredibly timely,” he said.
What will he miss most? “My castmates, without a doubt,” France stated immediately. The close-knit group, known as the “Fab Five,” have grown together both on and off screen. “It’s a strange feeling to move on. We’re all ready to try new things and explore what’s next, but it will be incredibly hard not having them by my side. We shared a unique experience that I hope bonds us forever,” he added, joking that he would “hunt them down” if they lost touch.
Parallel to closing this professional chapter, France is championing a new initiative focused on changing the conversation around obesity. He has partnered on the “Changing the Thread Collection,” a line of clothing designed as a canvas to share the science, struggles, and successes of those on an obesity journey. Each garment features embroidered stories from individuals living with obesity, aiming to dismantle stigma and foster understanding of it as a chronic disease.
“This project spoke to me personally,” France noted. “The goal is to ‘unthread’ the stigma. I want to advocate for open, shame-free discussions, much like I’ve tried to do throughout my career. This is deeply personal because my own family has struggled with obesity for years. Using my platform for this cause is important.”
He connected this advocacy directly to the show’s legacy. “Viewers of this final season will understand why I’m part of this campaign. We worked with people for whom getting dressed felt like a burden. Clothing should be a tool for self-expression, not a source of stress, and that’s a key theme this season explores.”
A lead physician involved with the campaign echoed the need for change. “Obesity has long been a taboo, shrouded in shame, and effective tools were scarce,” the doctor stated. “Now is the time to partner with patients, discuss options openly, and find successful management strategies. It’s an exciting moment for progress.”
As France looks ahead, he leaves behind a show that redefined television kindness and steps into advocacy work that seeks to redefine a critical health conversation, proving that some endings are just the beginning of the next meaningful act.
